Until I read about her in the Guardian yesterday the name Neda Taiyebi was unknown to me, as I suspect it probably was (still is?) to most people here in the UK. I hope that it will soon be a name that is better known as this young lady is engaged in an activity that deserves wider attention.
Neda Taiyebi is an Iranian born artist who for the past year has been living in Afghanistan. At a time when many people have been fleeing from the war ravaged cities of that desperately poor country, Neda has chosen to travel in the opposite direction and believes that she has found a situation in which she is more able to express her artistic talents. Part of the motivation for her work is to be found in her commitment to enabling women to express themselves in an area that has been male dominated and asserts a bullish image to the world. She has commenced this task with enthusiasm and by taking advantage of the devastated landscape that surrounds her in the suburbs of Kabul.
Neda has noted the lack of public art within Kabul, and decries the fact that whilst efforts are being made to revive educational institutions within the city, these are seen as functional establishments with little consideration being given to the development of cultural or aesthetic well-being. Determined to begin to redress the balance, Neda Taiyebi has embarked upon a unique project to create areas of beauty amidst the rubble and chaos of the bomb torn streets of Kabul. A picture in yesterday’s Guardian shows a group of children playing on a piece of street art created by Neda Taiyebi, which is clearly bringing some joy into the lives of these youngsters.
Neda’s approach to creating public art is highly original, but has been achieved by seeking out some of the most potent symbols of violence and destruction to be found in the area. So far, she has created works of art by decorating the husks of three immobilised Russian tanks that have scarred the city streets for a number of years. These previously rusting shells of burned out vehicles have been assaulted with colour, patterns and images that could never have been imagined when these armoured beasts originally patrolled the streets of Kabul.
Taking inspiration from the domestic art that she had seen all around her in her home in Iran, including patterns from textiles and patchwork designs, Neda Taiyebi has demonstrated how symbols of death and ruin can be transformed into a colourful play station for local children. Drawing inspiration from such domestic items has asserted the contribution that women have made to creativity and design and has brought a more reasoned approach to interpreting the streets of the city. In so doing she has received some support from the Afghan government; though sadly, this has of necessity included the presence of an armed guard whilst she undertakes her work.
As we await the arrival of Christmas here in the UK, we have become familiar with the usual colourful lights and trappings that surround us on the streets of our towns, cities and villages. Whilst very little of this can truly be described as street art, it brightens our lives in the midst of winter, and brings pleasure to children and adults alike. Perhaps the work of Neda Taiyebi in Kabul will bring smiles to the faces of people of that once great city. Her assertion that more attention needs to be given to encouraging a cultural and aesthetic appreciation of the world undoubtedly challenges politicians and educators in a country which may see other priorities. However, the smiling faces of children playing on a decorated tank which in previous times would have probably terrorised them, is just one indication of the importance of her work.
Thank you and happy Christmas to Neda Taiyebi, may your work continue to bring joy to the streets of Kabul. And, of course happy Christmas and a peaceful new year to whoever may happen to read this blog.